Haze
Atmospheric haze and fog effects that add depth, mood, and volumetric light interaction to images.
How to use this prop
Describe haze as a physical atmosphere rather than a post-processing effect: 'thin volumetric haze filling the studio,' 'morning fog hanging low,' or 'atmospheric haze catching light beams.' Specify density: 'faint atmospheric haze' for subtle depth separation versus 'thick fog' for dramatic obscuration. Haze works best with directional light — combine with 'backlit,' 'light rays through haze,' or 'volumetric lighting.'
Common pitfalls
Don't use 'haze' and 'fog' interchangeably without considering density — fog obscures significantly more than haze. Avoid combining thick haze with high-detail subjects where you want sharpness, as the atmospheric diffusion softens everything. Don't describe haze without a light source; unlit haze just looks like low contrast.
Starter prompt patterns
Portrait in a studio with thin volumetric haze, backlit by warm light, haze catching light rays, shallow depth of field, moody atmosphereLandscape at dawn with low-hanging mist over a lake, volumetric fog, soft directional sunlight filtering through trees, atmospheric depthConcert stage with theatrical haze, colored spotlights creating visible light beams through the atmosphere, dramatic stage lighting
Haze in photography is a controlled atmospheric element — machine-generated in studios, natural in landscapes — that makes light visible. Without particles in the air, light travels invisibly from source to subject. Haze gives light beams physical presence.
In prompting, the critical distinction is between haze as atmosphere (affecting the whole scene) and haze as a local effect (visible only where light passes through it). Specifying both the haze and its interaction with light produces the most convincing results.